Marcel Winatschek

Thirty Songs for 3 AM

It’s summer and you’d think that means happiness, heat, light, all of that. But somehow that’s when the bad love stuff hits hardest. Or maybe it’s just that summer makes being alone feel worse. Either way, you end up in the dark at 3 AM with music that has no interest in making you feel better.

I spent some time pulling together the ones that actually work—tracks that are honest about the damage without trying to fix it. There’s pop stuff like Mandy Moore’s Only Hope and Vanessa Carlton’s A Thousand Miles, which shouldn’t hit as hard as they do but absolutely do. Indie and alternative bands that know how to write about falling apart: Regina Spektor, Stars, The Dresden Dolls, Paramore, Snow Patrol. Some older stuff that never gets old: The Beatles’ Yesterday, Fiona Apple’s Never Is A Promise, Johnny Cash’s version of Hurt. German artists too—Farin Urlaub and Juli. A bunch of others scattered through there—Sia, Evanescence, Damien Rice, Bloc Party, Ingrid Michaelson, and so on—basically anything that doesn’t flinch away from how bad it feels.

The thing about a good heartbreak track is that it doesn’t try to convince you that you’ll be okay. It just sits with you in the mess. Damien Rice’s 9 Crimes, Duke Special’s Last Night I Nearly Died, The Dresden Dolls’ The Kill—these are dark in the way you need when you’re genuinely unsure if you can keep going. They exist for 3 AM. They exist for that moment when you’re falling apart and you need someone else to admit that feeling out loud.

But you can’t live there forever, so there’s Hey Du by Beatsteaks, which is basically the escape rope. It’s not about being fine. It’s just a track that says okay, come on, let’s go somewhere else now. It works because it doesn’t pretend to understand. It just offers a way out.

At some point I stopped being embarrassed about needing these. The ones that matter are the ones that don’t try to perform for you, that just exist for the people who need them.