Marcel Winatschek

Anna Selezneva

I could write something pseudo-intellectual about black and white photography and how it strips away distraction to reveal essential truth. But these Hedi Slimane shots of Anna Selezneva just look too damn good. I don’t want to think about anything except what’s right in front of me. The monochrome works because there’s nothing but line and light and shadow, the way a face and body move through space. You see it and you can’t look away. That’s all there is.