Marcel Winatschek

The New Scala

Some Berlin nightclubs become legendary simply by existing in the right time and place for the right people. Bar 25, White Trash, Scala—they don’t get that status through promotion; it just happens. You end up there and realize everyone around you is someone you recognize, someone like you, someone you’d actually want to spend a night with.

The Scala farewell was brutal. I cried at four in the morning, and I wasn’t sad about losing a building or a sound system. You mourn the loss of one of the few places where you can exist without performance, without the calculation that most of the world demands. When that closes, something real closes.

Coop, who built the place, isn’t letting it stay dead. He announced a new location by year’s end—different space, different setup, but the same thing in theory. I don’t know if that transfer works. Maybe the magic was always tied to that specific building, that specific moment in time. Or maybe it’s something deeper that can happen again somewhere else. Honestly, I’ll probably go to the opening night anyway. That’s what you do when a place like that comes back. You show up and hope it remembers how to be what it was.