Marcel Winatschek

The Ting Tings Again

I loved The Ting Tings from the start, which I probably shouldn’t admit. Katie and Jules made We Started Nothing and I was instantly hooked—”Be The One,” Shut Up And Let Me Go, We Walk. I played those songs relentlessly, even as critics were tearing the album to pieces. Most people wouldn’t fight for it, but I never needed anyone else to get it.

Then there was this long silence. Bands disappear like that sometimes and you assume that’s the end of it. But they’re back now with new material recorded in Berlin, and the lead single is called Hands. It’s got that same synth-pop thing that worked before, this strange glossy-and-earnest combination that shouldn’t hold up but does.

I’ve been listening to it on repeat and I haven’t even seen a video yet—the song itself is enough. It feels like they just picked up where they left off, like the gap between albums doesn’t matter. And I’m already thinking about catching them live when they tour, just to be in a room with whatever handful of people understood the first album the way I did.

There’s something satisfying about that—finding something early, holding onto it through the quiet years, and having it come back sounding exactly like itself. No apology, no reinvention. Just here’s what we do and it still works.