Marcel Winatschek

Pretty in Pink

You watch people get strategic about the cold. Summer’s backing away and half of everyone’s buying blacks and grays for November. The other half isn’t convinced yet—still reaching for what worked in July.

Frida Johnson is seventeen and Swedish, which explains why she’s in a MySpringFling shirt covered in flowers like she’s betting the season will reverse if she just doesn’t blink. There’s something to that stubbornness.

Annika’s twenty-six, also from the north, but she’s found a different move. She’s not denying winter—she’s flirting with it. Johanna Vikman shirt, Cheap Monday jeans cut short, knee-high stockings that catch light, H&M beanie. The negotiation’s visible.

Marcus Mason works in fashion in New York now, and it shows. Gray James Perse shirt, H&M jeans he bleached himself, Armani Exchange bracelets, Burberry necklace. He looks like someone who’s decided fall is fine. The pieces talk to each other.

Tiffany from LA is just saying no to the whole idea of what you’re supposed to wear. Peace signs, colored tape across her face, Playboy navel ring, wool earmuffs. Adolescent rebellion, which it is, but there’s something clarifying about someone who wears contradiction without apology.

Paula’s just wearing a white t-shirt. No emblem, no statement, no reach. Just cotton and the fact of herself. That’s its own bold thing.

October or November and everyone’s sorting out their relationship to the cold. Some diving in, some delaying, some fighting it with peace signs. The ones I keep thinking about are the ones who seem to know what they actually want to wear, not what they should. That clarity reads, even in stillframes of people you don’t know.