Audioterrorism

Kim Schmitz writes about music with the kind of confidence that doesn’t hedge. He’ll call out what’s empty, celebrate what moves him, without waiting to see what you’re supposed to like or performing reverence for the formula. In a world of measured critical distance and careful positioning, there’s something almost punk about a voice that just thinks out loud and doesn’t give a shit. That’s probably what audioterrorism means—not literal noise, just someone refusing to nod along.