Marcel Winatschek

Bat For Lashes

Natalie Droog makes the kind of music that fills a room without asking for attention. There’s something about Bat For Lashes that works best late at night, when you’re alone with it—those stretched-out synths, the way her voice sits inside the production like it’s part of the texture rather than on top of it. A lot of people make atmospheric music, but there’s usually some ambition showing through. With her it just sounds like someone thinking out loud, building something strange and precise without needing you to understand it.