Marcel Winatschek

Free The Nipple

Lina Esco got sick of the contradiction: American films will show you gore, weapons, violence, bodies in pieces—but actual human flesh in a context that doesn’t involve someone dying, and the whole system shuts down. Parents freak. Networks apologize. It becomes a scandal.

So she got some people together—Lola Kirke, Janeane Garofalo, others—and made a movement out of pointing at it. Free The Nipple. The basic observation being: this is what we’re afraid of, not the violence. The body. Look how backwards that is.

The interesting part isn’t whether they succeed. It’s that they had to organize it in the first place. We’d built our entire culture around this fear so completely that you need activists and campaigns just to make the contradiction visible. We needed the formal gesture to even register it was there.

That’s what it shows you. Not whether the politics work out, but what we’ve decided is actually normal.