Marcel Winatschek

Selena Gets It

I get why Selena Gomez matters. She’s got the same thing I do underneath—that constant hum of depression and solitude sitting under whatever face you put on for the world, because the alternative is falling apart completely. In that V Magazine spread she’s topless, which is what got the attention, but what actually stuck was everything she said underneath the photographs.

She talked about being eighteen and in her first love, how when you’re that young and the world won’t shut up about you, it can feel like it’s just you two against everything. Something real and desperate in that. She said she wouldn’t trade it for anything, which is what you say about relationships that actually mattered even though they ended.

Then she got to the part that counts. There was a time when she couldn’t leave the house. Couldn’t, not wouldn’t. Being seen, photographed, just existing in public was too much, so she stopped. Wouldn’t go out, wouldn’t even buy groceries, made herself crazy sitting with her own head. She’s climbing back out now, slowly. It’s a process.

That’s what matters about it. Not the nudity or the celebrity machinery, but the fact that she just said it plainly: I was depressed. I hid. Now I’m getting better, sort of. No lesson. No silver lining. Just the shape of it—what it feels like from inside. I know that exact feeling, and I know how much harder it is to name than it is to stand naked in front of a camera.