Marcel Winatschek

Worst Of

Jennifer Weis doesn’t perform excitement. The frontwoman of Jennifer Rostock sounds like she’s just telling you something she noticed, and the fact that it’s scathing usually doesn’t sink in until later. The band’s been around for a decade, mixing pop-rock with social critique sharp enough that you can easily miss it on first listen.

The new song Alles Cool is exactly that move. It arrives as a breezy summer number, built for long drives and the feeling that everything’s fine. But Weis and the band have tucked their usual criticism into the choruses—politics wrapped in melody, the kind of thing that gets under your skin because you weren’t braced for it to even try.

They’ve also released a Worst Of album, the songs too weird or specific for mainstream release. Most bands bury material like that. Jennifer Rostock made an album out of it. There’s confidence in that—taking the stuff that didn’t fit, that wasn’t commercial enough, and saying it’s worth hearing anyway. Says something about how they actually think about songwriting.

German pop is often so calculated, like someone’s focus-grouped every emotional beat. Jennifer Rostock work differently. They write in German about German things without ever sounding locked into some narrow territory. You could be anywhere and understand what they’re doing. That’s rarer than it sounds.