Marcel Winatschek

Babymaker 2

Babymaker 2 is Night Tempo building an entire world inside your headphones using nothing but synthesizers and sampled memory. You’re in a Tokyo disco from an 80s anime that doesn’t exist—or maybe all 80s anime—where the neon is too bright and everything sounds like it’s remembering something beautiful that never actually happened.

Vaporwave gets written about like it means something deep, but listening to this album doesn’t feel heavy. You’re just there. Present. In the room, if a room could be made of color and temperature instead of walls.

Songs like In The Moon, Heart Break, and Stay Pure don’t rush you. The production is sparse enough that you hear the silence between the sounds. Somewhere around the middle of the album you stop actively listening and it just becomes the air around you. That’s probably when it’s working best.

What gets you is that Night Tempo seems to believe in this place. He’s not winking at the vaporwave clichés—the Japanese imagery, the hotel lobby samples, the glossy synths. He’s just building something real inside them. And you wanted to be somewhere else for a while, so you stay.