Marcel Winatschek

This is America

Childish Gambino dances through the frame with meticulous choreography, and all around him are bodies and guns and blood, shot and lit with obsessive care. You’re supposed to be watching him. You’re supposed to not see what’s in the margins. That’s how it works.

I’ve been into Donald Glover’s music for years because he doesn’t fall for the typical rapper moves—no bragging, no posture, just someone trying to say something true. The work has real depth to it.

This is America is what all of that was building toward: a song about a place where the spectacle is so loud and beautiful that people watch that instead of what’s actually happening. The music pulls you in. You move to it, you feel good, and that’s the mechanism itself—that’s exactly how it functions. The song shows you what you’re part of.

I don’t know if anything changes because of it. Probably doesn’t. But he made something beautiful and true about a broken place, and did it in a way that makes you feel the contradiction instead of just understanding it intellectually. That’s the part that sticks with you.