Marcel Winatschek

Three Stripes and a Myth

Vice has always been good at one particular trick: making you feel like the competition was designed specifically for you. Their talent searches—and there have been many—run on the flattering premise that the reader is exactly the rare specimen being sought. Culturally fluent. Impossible to replicate. The kind of person who walks into a room and the room quietly rearranges itself.

The Vice and Adidas "Berlin’s Most Original" project leaned hard into that mythology—the idea that Berlin produces a specific type of person who has figured something out that the rest of the world is still puzzling over. Which is both true and completely insufferable. I’ve met those people. I’ve probably been that person, at various low points. The unmarked clubs, the bars that are also somehow art installations, the practiced nonchalance of someone who’s been awake since Thursday for reasons they’ll describe only as "there was something happening."

The city does have something. I won’t pretend otherwise. But the mythology of Berlin cool feeds on its own exhaust—the more people arrive chasing it, the further it retreats, and the people who’ve been there longest spend half their energy explaining why the newcomers don’t quite have it. It’s a closed loop. Everyone is the most original person in any given room, and nobody can stand anyone else in it.