Marcel Winatschek

In the Name of the Moon, I Was Absolutely Staring

The transformation sequences were the entire point. Don’t pretend otherwise. Yes, there were talking cats and sympathetic villains and plots that made approximately no sense—but what I was really showing up for, every afternoon after school, was that moment when the girls spun around holding their glowing transformation wands and briefly existed in some shimmering space between human and magical, and you got exactly the amount of body you were going to get before the sailor suit materialized. Nipple-less, yes. Still effective.

While kids today get buried under mountains of disposable isekai and harem bullshit, Sailor Moon was the only anime that mattered for a solid stretch of my childhood. The premise is objectively ridiculous—a group of teenage girls named after planets transform using what are essentially glowing dildos into superheroines in sailor uniforms and fight increasingly elaborate evil—but the show had genuine charm and I watched every season without apology. The story being childish and sometimes just bad didn’t register. It was everything we had, and that was enough.

I had a specific routine: run home, drop my bag, be in front of the TV before the opening theme finished. Fall in love with a different Sailor Scout each week. Chibiusa tested my patience in ways few fictional characters have managed before or since. And every episode I found myself circling back to the same question, the one that apparently never resolves no matter how much time passes: which of them was actually the hottest? Twenty years later I still don’t have a definitive answer. Some mysteries aren’t meant to be solved.