Marcel Winatschek

Patrick Wolf at the Edge of Something

The City lands somewhere between elegy and threat—Patrick Wolf at his most orchestral and unsettled, the kind of track that feels too large for whatever room you’re playing it in. He’s always made music like that: overscaled, emotionally exposed, refusing the ironic distance most artists his age kept as a safety net. It can be overwhelming. That’s the point. You don’t come to Patrick Wolf for restraint.