Marcel Winatschek

The Night Théo Almost Missed

Théo Gosselin shoots on film the way some people stay up until four in the morning—not for the aesthetic of it, but because that’s when things actually happen. His photographs of friends, road trips, and mornings-after carry the quality of events that would have occurred whether or not a camera was present; the grain isn’t a style choice so much as proof of presence. While You Were Sleeping extends that logic—candid, barely lit, intimate without being precious. The kind of pictures that make you feel like you missed a party you didn’t know was happening.