Chloe, Outlined

Akila Berjaoui has a way of making the human form feel both intimate and architectural—less a body than a landscape someone traced deliberately. I Love Chloe’s Curves does exactly what the title promises: it lingers on the subject’s silhouette with the kind of frank admiration that doesn’t need to justify itself. Chloe isn’t posed into submission. She’s simply there, and the camera clearly means it as a compliment.