Marcel Winatschek

Something About Camille

Camille Rowe in Purple is the kind of image that stops you mid-scroll and makes you reconsider your afternoon. Olivier Zahm’s magazine has always understood a specific French-American frequency—half available, half not remotely interested in you—and Rowe is probably its purest expression. Dark hair, sleepy eyes, a body that seems to exist slightly outside the jurisdiction of fashion’s usual demands. Calling it a shoot misses the point. It’s closer to documentation.