Marcel Winatschek

What a Crew Looks Like

The party at Club Edmoses in Munich was an adidas Originals event built around one of those campaign launches that exist primarily to get interesting people in the same room under branded lighting. Three acts shared the evening: Die Orsons, the Stuttgart hip-hop collective who’ve been making sharp, self-aware rap since the mid-2000s; KLUB7, a German street art collective whose work runs from public murals to gallery pieces without losing its edge at either end; and Miteinander Musik, a Swiss label that’s built its identity around exactly the kind of collaborative, cross-disciplinary ethos that makes the word "crew" mean something beyond just knowing the same people. It’s the kind of lineup that makes a sponsored event worth showing up for.

The concept of the crew—people with genuinely complementary abilities who make each other’s work better—sounds obvious until you try to assemble one. Most groups are just clusters of similar people congratulating each other. The ones that actually work are rarer and stranger. Three distinct identities that each make the others look sharper by contrast. The party was the point. Everything else was just marketing.