Marcel Winatschek

Sailor Moon Ascending

The new Sailor Moon transformation dropped last month. I watched it three times. The animation is immediately better than the original—smoother, more confident, with cleaner lines in the costume design itself. It’s the kind of thing that catches you off guard because you don’t expect a transformation sequence to matter that much, but here it does.

I grew up with this show in a dozen different forms, and the transformation was always the ritual moment, the thing that felt magical even on a small screen with janky animation. The new version doesn’t try to recreate that feeling. It respects the iconic elements but commits fully to what animation can do now. The colors are richer, the movement is genuine. When Usagi calls up the transformation, you believe in it.

I don’t know if the rest of the season holds this standard or if this was just the main draw for the promotional push. But it’s the kind of sequence that makes you feel like someone actually cared about getting it right.