Marcel Winatschek

Four Selenas and a Gym Teacher

Every pop star the algorithm serves you is, at some level, a placeholder. A well-produced hole in the shape of something you once felt. They’re fine. Some of them are genuinely talented. None of them are particularly trying to be anything other than what the market asked for.

Selena Gomez keeps being different, which is strange given her resume. Former Disney kid, Wizards of Waverly Place, the whole Justin Bieber chapter—it’s a trajectory designed to produce exactly the kind of finished product I just described. The machine ran its full process on her and somehow turned out something that actually thinks.

Bad Liar is the evidence. The video is a high school fantasy in which Selena plays four roles: the awkward, daydreamy teenager at the center of it all; her father; her mother; and the blonde, athletic gym teacher the girl is completely, helplessly in love with. She plays all four with an uncanny precision—especially the teacher, who carries this loose physical confidence that reads as genuinely compelling rather than as costume. The queer reading isn’t incidental or coy. It’s just what the video is about, handled with the same earnestness as everything else, and honestly pretty hot.

The song is built on a sample of Psycho Killer by Talking Heads, which tells you more about where Selena’s head is than any interview ever could. The whole thing is shot with a low-budget warmth that feels intentional—a memory slightly out of focus at the edges. Sweet and a little disorienting and funnier than it should be. She was supposed to be a product. She kept being a person. I can’t explain it and I keep coming back to it.