Marcel Winatschek

032c’s Winter Museum

Kiko Mizuhara on the winter cover of 032c, half-naked in a dark motorcycle jacket, looking past the camera. Born in Dallas but she became a Japanese supermodel, which is the kind of boundary-crossing that fashion lets you do—like you’re just trying on different cultures, seeing what fits.

032c is a magazine that doesn’t feel like a magazine. Twice a year, in English, from Berlin. This issue centers on James Baldwin—the theme is literally A Museum for James Baldwin—but the actual contents are all over the place. Gucci Mane. Francis Bacon. Petra Collins. Rihanna. Carl Jung. Clubwear. There’s no clear connective tissue, just the sense that someone was looking at the world and thinking, yeah, that’s how things are right now.

Kiko works the same way in that photo. The motorcycle jacket. The leather. The angle of her face that says she’s not interested in whether you’re looking. That’s the most powerful thing you can do in a photograph—be indifferent to the viewer. And indifference, when it’s done right, reads as confidence.

The magazine operates that way too. You pick it up because something drew you in, then you keep reading because nothing inside logically connects to that cover but everything somehow belongs anyway. That’s the intelligence of it—something that works without explaining itself.