Marcel Winatschek

Hotel Room, Tokyo

Tokyo does something to you that’s hard to explain to someone who hasn’t been. It’s not the scale—plenty of cities are enormous. It’s the density of sensation, the way every surface is doing something, the particular purposefulness with which people move that makes everywhere else feel casual by comparison. I’ve been fixated on the city for years through the films and comics and music that leak out of it, and through photographers who go there and bring back evidence.

Israeli photographer Michael Ivnitsky went to Tokyo and shot Lisa M in a hotel room for Nasty Magazine. The results are exactly what you’d want: her pale skin against white hotel sheets, dark hair, a stillness that makes the city outside feel distant and irrelevant. There’s a particular quality to photography done in that kind of anonymous international space—a room that could be anywhere but is, specifically, in the middle of Tokyo—that Ivnitsky handles well. The setting recedes. Lisa M doesn’t.

Walking through Tokyo’s neighborhoods, you notice women moving between train stations and boutiques and convenience stores with a composed quality that’s different from anything I know at home—not a performance, or if it is, then so deeply internalized that the distinction stops mattering. Ivnitsky found that quality and slowed it down long enough to photograph. The city made the pictures possible. Lisa M made them worth looking at.